ARTS: Enjoying the Tedious
Last week I started a new weaving project, last night I was working on the 3rd step of the process for getting the warp onto the loom and was contently going about my work. I’m at the point when I’m threading the heedles, which means I have to take each of the 350 threads and thread them through a piece of metal with a hole in it. While doing this, I have to make sure to go through the right heedle, keep the threads in order and double check before moving on.
My significant other came home while I was doing it, and just shook his head at me. “How is it that you find this enjoyable?” I laughed. And then I thought about a facebook post I had seen earlier in the day. The poster was complaining that the “fun” part of weaving doesn’t last long enough. Because you have to spend all this time making a warp, wrapping the warp, threading, tensioning. And then you finally get to start weaving and it goes too fast. Then you have to finish the project which means the dreaded twisting of fringes or hemstitching, and wet setting.
It made me laugh to think of the time I had already spent on this project... I won’t call it the not fun part.
So my question to all of you, do you enjoy all the parts of the process? Whether it be cleaning the wool, rinsing the dye from the fiber, or tearing out several rows of a piece because there is a problem.
What does this have to do with practice? On the face of it, the dropping of likes and dislikes allows us to enjoy the process more. But deeper, I think it is connected with samu. The heart of dedicated work practice. Diligently doing something with your whole self.
Can you approach the tedious portions of creation as much as you enthusiasm as the fun parts?
Gassho,
Shoka
(she/her)
Sat
ARTS: Enjoying the Tedious
It's taken me 6 mo to work on the dedication/intro to my book of poems. I started with 24 pages. Now it's 4 and it might go back to 6. I uploaded all the poetry in a few days. The editing process will take me 7 months of sporadic work i have 4 versions of the body of the work. I love working, writing, editing, producing a honed piece of writing. Often the poetry is entirely different from where I began. The beauty of a book of a poetry might begin in an outputting of emotions but the real poetry is sculpture in my editing process! The truth is I love to write and I love poetry. Many poets work like me. William Stafford, the Pulitzer Prize winning poet used to set aside 4 to 5 hours early in the morning to work. The rest of his day was set aside for teaching. Preparing lessons, lectures and workshops. In the evening he would relax.He kept to a schedule making the poems 1/3 of his day, writing and editing, the rest his college teaching career. At his death he was called the grandad of America Poetry. He has been my model since I was 29-years-old. I sent him a portfolio of my poems when I was 38 and he gladly critiqued my poems. He had a gentle hand.
Gassho
sat/ lah
Tai Shi