Really gettin' DOGEN'S WILD SOUND is a lot like gettin' THIS WILD SOUND ...
(Please give a listen, and keep it playing while you read the rest of this post)
I've described Dogen as a JHANA JAZZ MAN-POET, riffing and free expressing-reexpressing-bending-straightening-unbinding-releasing the 'standard tunes' of the Sutras and Koans. The untrained ear can't make head or tail of it, complex rhythms, notes flying, wild tempo ...
Above is what John Coltrane did-undid-diddled-redid, for example, with "MY FAVORITE THINGS", that really "squaresville" (though lovely in its own way) tune that you may recall being chirped by Julie Andrews in THE SOUND OF MUSIC (a great story)! For that reason, a familiarity with the original 'standards' of the American songbook helps a lot in getting where Coltrane was coming from and going to here. Likewise, a good grounding in traditional Buddhist, Mahayana and Zen philosophy and perspectives is vital to getting what Dogen is up to. But Dogen, Master of the WordJazz expression of the Wordless, then takes off bending and re-enlivening those "standard tunes" in ways felt in the skin, flesh, bones, and marrow. Dogen, for example, frequently re-wild-ed and bent up passages from the already wild and bent Lotus Sutra into something even more bent-iferous and wildacios! Sometimes with Dogen, one can make out clearly the "original melody" he is working with ... a Sutra passage, a Poem, an Old Koan ... and sometimes barely so, for it is not always the "point" he is trying to make through reasoned words, but "the sound, man, the feeling of the music". Dogen and Coltrane make their own musical expression the same but different from the 'standards' that the playful playing is playing upon ... expressing Timeless Old Truths in ways never expressed before ... making Timeless New Truths in the process ... but one also should not forget that that "standard" tune is in there too, and keeps popping up as the theme
The Shobogenzo, for example, is a rather thick and thorny maze to most readers. But once Dogen's basic ways of expression are understood, one can read the entirety with a bit more ease ... though never easy, mind you, as Dogen (like Coltrane) may often have sometimes let the notes and feeling lead him where they would, and may not have been always himself quite sure where the music was taking him -- or what he himself "meant"! Nonetheless, each certainly knew what he "meant" cause of the meaning of the feelings felt!
Below is a passage I read in today's talk from Shobogenzo Bussho, where Dogen is jumping off from some basic Buddhist and Mahayana Teachings and standard Phrases to express the nature of Buddha nature. As part of the Soto Zen Text Project, Prof. Carl Bielefeldt offers some background on a few of these old phrases:
And here is how Dogen plays jumping off from such a foundation ... expressing the profound unity and intimacy of we individual, sometimes deluded Being(s) and All Being and Buddha nature ...Sentient beings” (ujō 有情); “the multitude of beings” (gunjō 群生); “multitude of types” (gunrui 群類) [are each terms in Mahayana Buddhism] regularly used as synonyms for “living beings.”
“Initial being” (shi’u 始有); “original being” (hon’u 本有); “marvelous being” (myō’u 妙有); “conditioned being” (en’u 縁有); “deluded being” (mō’u 妄有) [are a] series of terms expressing modes of existence discussed in Buddhist thought. The first, “initial being,” while not itself particularly common, is here contrasted with the familiar “original being,” a term used to express the fundamental reality from which the phenomenal world emerges. The expression “marvelous being” is probably best known in the phrase “true emptiness and marvelous being” (shinkū myō’u 眞空妙有), where it expresses the ultimate emptiness of phenomena. The term “conditioned being” suggests that which exists as a result of conditions — i.e., the conditioned dharmas of dependent origination (engi 縁起; pratīya-samutpāda); “deluded being” suggests that which exists as a result of deluded thoughts — i.e., the false objects of our misguided discrimination (funbetsu 分別; vikalpa).
“Mind and object, nature and attribute” (shin kyō shō sō 心境性相): Two standard pairs in Buddhist thought: the mind, or thought (citta), and the objects of thought or of the senses (viṣaya, ālambana); and the nature, or essence (svabhāva), of a thing, and its attributes, or characteristics (lakṣana).
A hundred pieces” (hyaku zassui 百雜碎): A common Chan idiom for the multiplicity of phenomena.
“One strip of iron” (ichijō tetsu 一條鐵): A common Chan idiom for the unity of phenomena, as in the saying, “one strip of iron for ten thousand li (wanli yitiao tie 萬里一條鐵).
“Raising a fist” (nen kentō 拈拳頭): The raising of the fist is a common Chan gesture expressing what is beyond language and discrimination.
The Buddha Śākyamuni said, “All living beings in their entirety have the buddha nature. The tathāgata always abides, without any change.” ...
What is the essential point of the World Honored One’s [the Buddha's] saying, “All living beings in their entirety have the buddha nature”? ... One speaks of “living beings,” or “sentient beings,” or “the multitude of beings,” or “the multitude of types.” The phrase “entirety of being” refers to “living beings,” “the multitude of beings.” That is, the “entirety of being” is the buddha nature; “one entirety” of the “entirety of being” is called “living beings.” At this very moment, the interior and exterior of living beings is the “entirety of being” of the buddha nature. ...
We should realize that the “being” that is here made the “entirety of being” by the buddha nature is not the being of being and non-being. The “entirety of being” is the word of the buddha, the tongue of the buddha, the eyes of the buddhas and ancestors, the nose of the patch-robed monk. Furthermore, the term “entirety of being” is not initial being, not original being, not marvelous being; how much less is it conditioned being or deluded being. ...
... The buddha nature is always the “entirety of being”; for the “entirety of being” is the buddha nature. The “entirety of being” is not “a hundred pieces”; the “entirety of being” is not “one strip of iron.” Since it is “raising a fist,” it is not large or small. Given that we are calling it “buddha nature,” it should not be of equal stature with the nobles; it should not be made of equal stature with the buddha nature.
A Love Supreme!
Today’s Sit-A-Long video follows at this link. Remember: recording ends soon after the beginning bells; a sitting time of 15 to 35 minutes is recommended